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NUDE JADE

The exhibition Nude Jade by Hansel Tai takes on the sacred material: jade. Celebrated as the ultimate symbol of perfection and purity and valued for its translucent, skin like glow, jade is often carved into intricate mythological and religious forms.

The focus of Hansel Tai research is the LGBTQ+ culture among young Pan-Asians on a global scale. And he does it by questioning traditional symbols. Tai pendants, formally reduced and abstracted, are penetrated with heavy ready-made circular barbell piercings. With this gesture – which is inconceivable, on many levels, to those familiar with traditional jade carving – Tai subdues the sacred jade, aiming to evoke a strong emotional response from the viewer.

In this body of work Tai translates and subverts the traditional symbolism, through a transgressive and alienating action, puncturing the stone with piercing, in an almost impossible act.

This is the first exhibition for Hansel Tai in A-Gallery and he is presenting his iconic work on Jade. His upbringing and education in China, and his later exposure to the work methods of the Estonian Academy of Arts, with its very pronounced aesthetic, barely left a mark on him. For this solo exhibition, he takes the best of both worlds, and with precision and determination he produces work in which materials and techniques are the means to a very specific end.

Hansel Tai is a Chinese artist and designer working and residing in Estonia. Tai’s work focuses on the Post-internet Epoch, in which naturalness is shadowed by the body cult, deformation, subcultural signs and high gloss metal, and digital voodoo is materialized into fetish objects. He graduated in 2016 from the Central Academy of Fine Arts in Beijing, where he studied Art Jewellery. He has continued his artistic research at the Estonian Academy of Arts in Tallinn as well as the Gerrit Rietveld Academie in Amsterdam. In 2019 he obtained a Master of Arts degree. He has exhibited in the Netherlands, Germany, France and the USA among other countries.

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iTOUCH STORE

The exhibition examines touch as a part of digital culture: the tactility of digitally transmitted jewellery images, given the excessive focus on the phone and the screen.

The audience can also see the works in their representations — in the form of a video ad where the author attempts to find answers to the following questions: can the digital representation of the jewellery have tactile features?, how does the digital representation of jewellery affect real jewellery on a tactile level? and, how does the use of digital media change the relationship between jewellery and tactility? The jewellery and objects at the exhibition are meant to solve the potential problems of the digital age. The titles of the work speak for themselves: “Hot Not Only Online Phone Case”, “Silicon Nail for Touching Screen”, “Digital Detox Brush”, etc. The exhibition is laid out as a shop and this is not accidental. Media critic Erkki Huhtamo brings a parallel between a museum and a shop, the tradition of which is related to “tactiloclasms” — tactile rules and prohibitions in public places. Similarly to the old days where you could have access to the product in a shop only with the help of a shop assistant, in the exhibition room touching the jewellery is not permitted due to security requirements. Namita Gupta Wiggers, the jewellery historian, spoke of the fact that jewellery perception in the museum is limited to the vision, while the potential destination of the jewellery is the body. Replacing the sense of touch with the vision continues in the Internet age. Darja Popolitova notes that she has been inspired by AliExpress e-shop ads. “Reviewing products — even without buying them — offers me certain pleasure,” commented the artist. “As I read a book by the media theorist Laura U. Marks, I went deeper into the meaning of the term “tactile visuality offered by Laura U. Marks. At one moment everything came together in my head: I treat the images of the products with a certain plasticity — my eyes do not see, but “touch” these images. That is why I decided to explore the tactile properties of the images of jewellery with my exhibition.”

Darja Popolitova was born in 1989 in Sillamäe and lives and works in Tallinn. She is currently doing a PhD at Estonian Academy of Arts. Darja designs jewellery using innovative technologies and mixed media. Recently, Darja Popolitova has participated in exhibitions at the Art and Design Museum in New York (2019), the Kunstnerforbundet gallery in Oslo (2018) and the fourth biennial of contemporary jewellery, METALLOphone in Vilnius (2018). Darja Popolitova is represented by the following galleries: Marzee in Nijmegen, Beyond in Antwerp, and Door in Mariaheide. Her work is included in the collection of the Estonian Museum of Applied Art and Design and also in private collections. The work of Darja Popolitova was awarded the scholarships of the Ministry of Culture and Adamson-Eric in 2018. She also received the scholarship of Young Jewellery in 2015.

Video: Ando Naulainen
Sound Design: Andres Nõlvak
Graphic Design: Johanna Ruukholm

The exhibition is supported by the Cultural Endowment of Estonia.